The Gift of Alpha Readers
If you wish to become a patron of Writing in the Tiny House podcast, please visit www.patreon.com/writinginthetinyhouse today!
The following is a transcript of this episode. For the complete transcript, please visit the show’s website.
[00:00:00] So you did it guys. You have written the next best thing and you are so eager to get this out into the world that you have revised it, you have combed through it, and you have all of these things ready, but nobody has read it yet. So what do you do next? Well, let's find out today on Writing and the Tiny House.
[00:00:26] Hello. Hello. Hello. And welcome back to the show. Welcome to Writing in the Tiny House. I am your host Devin Davis, and I am the guy in the tiny house who is here to show you, you busy adults working a nine to five like me, that it is completely possible for you to write that work of fiction that you have always wanted to do.
[00:01:06] And you should. I just recorded 20 minutes of audio and didn't actually record any of it. So we're starting over and it's fine. Because now I get to say the things that I didn't save very well the first time, and it's okay to start over. We're still learning some of this new recording equipment and that's okay too.
[00:01:26] But many of you know, because I announced in last week's episode that I have been working on some smaller things as a way to get my writing more available, to get my writing into the hands of people who are eager to read it and to do it faster than I could do if I were to just write a book just because the time to produce a book is much longer and there are a million different ways to share your writing with other people.
[00:01:57] So I have been working on some smaller things and I am working on them in conjunction with Krissy Barton from Little Syllables Editing. She is going to be the editor on call or whatever, the editor in this whole project of writing a collection of short stories or novelettes. And so with this, I am writing these smaller works, and I'm going to be releasing them on a schedule, provided all of this works out okay. Right now we are on track with this first thing. And so I expect everything to be okay. And I think that this is something that we can reproduce right now. All of this is tentative stuff though. Like this is not gospel truth yet, but in doing these shorter things, I still need to go through the different steps of writing and revising and cleaning up these smaller works of fiction as I would have to do with a book.
[00:03:07] But because the thing is shorter, all of those steps don't take as long to do, which is kind of cool. It's fun to blaze through some of these different steps a little faster, and to get that progress done faster, to arrive there more quickly. And with this, I also hope to have myself on a regular releasing schedule, which means that there is kind of a stopwatch going for each of these projects.
[00:03:35] And for this first one, I am hoping more than anything. And I am taking a leap announcing this on the podcast that this will be ready for sale by the end of October. I'm going to post it on amazon.com and it will be available to purchase there. It'll be affordable. Don't worry about that. But I wanted so badly to share my writing and I think that I'm going to do it.
[00:04:00] So what I'm doing is this collection of short stories ties into the larger books that I am also in the middle of that I have set aside for the moment. So the world that all those things take place in these smaller short stories will tie into that same world. And this collection is called Tales from Vlaydor, and this is Installment One, which is entitled Brigitte.
[00:04:29] And so, yeah, so we did it. We've written a manuscript. We've gotten, you know, a few revisions under our belts, but if you are like me, perhaps you don't outline things very well. I surely don't, I don't like to outline. I like to write and then make huge revisions to what I've written because I don't like to outline, but for this first installment, I did not get any feedback to begin with on the story itself. I wanted to sit down, I wanted to write the story, revise a couple of things just because I wanted to present it in a good way to a small group of people. So I sat down. I wrote the thing. I revised it a couple times. I sent it through Pro Writing Aid, which by the way, Pro Writing Aid is amazing.
[00:05:19] Especially if you are using Scrivener as your word processor, because it integrates into Scrivener. It was the easiest thing to do. I recommend sending anything you are working on through Pro Writing aid before you let anybody read it, just because the edits were easy to do. And because Pro Writing Aid made it easier to read.
[00:05:42] Everybody seemed to have a better time. Pro Writing Aid does not replace a professional editor, but it is a very good tool to use along the way. So I wrote the thing, I sent it through Pro Writing Aid, and then I gathered in a way, a group of people that I would want to get feedback on this first draft, I guess we can call it a first draft. On this first revision, I guess.
[00:06:09] And this is what we do, this is how we approach this. So I needed to get feedback because first of all, I needed to know if this was a story that anybody wanted to read. I wanted to know also if this was a story that people would be willing to buy, and I needed to know if after reading this, they would be interested in reading more.
[00:06:35] And if the results were such that, no, this story idea is not a good idea. You need to switch to something else. I didn't want to spend so much time and energy on something that nobody would want. And so I would sooner scrap the whole idea and start a fresh with a new story idea rather than try to simply make something work.
[00:07:04] And so, because I'm writing to market because I want this to be sold. And so I want there to be a certain audience appeal. I wanted to make sure that I was on track and on base with the very foundation of this story. So that's what I did first. And I recommend you doing the same thing with your shorter works of fiction also, or with your novels.
[00:07:29] So here's the deal. I'm sure that you have heard the term beta readers a million different times if you are engaged in the writer, community. Beta readers are basically the people who are doing product testing for your book. They get your book and you need to know that the book is working for them as books need to work for readers. Does it keep their attention? Is it easy to read? Is it entertaining? Can they keep track of characters? Can they keep track of places? Do they have a good experience? Are they surprised during the surprising parts? Are they scared during the scary parts, all those things.
[00:08:10] That is what beta reading is for, but there's a big step before that. Some people call it alpha readers. Some people call it, I don't know other stuff, but. I had this concept and I needed to make sure that the concept was okay. So I selected a few of my close friends and another person that I'll get into in order to share ideas.
[00:08:36] So I wrote this novelette called Brigitte. It is about 9,000 words long, and I included just some questions at the end as a prompt, as a way to help people give feedback. And I recommend that you do the same. In a novel I recommend actually that you include things like that in sections of the book, rather than just a big, long list at the end of the book, just as a way to get the gears moving so that people can be inspired or understand how to give feedback, just because, especially in this most recent round of feedback, I have found that so many people read just to be entertained and they don't read critically. And that is fine. And so the little bit of help for that is really good for them. And it's good. It's good to hear all sorts of feedback. I've also found that for many people. So with this story, the vast majority of the feedback was positive.
[00:09:45] People liked the story. It was pretty middle of the road, which is okay. But people liked the story. They thought that it was easy to read. It was easy to get to the end. They weren't confused by people or names or places. And so I took that as a good affirmation or confirmation that I was on the right track with this, and I should move forward.
[00:10:14] And that is great. With many of the people though, the feedback was simply, Hey, this is great. I like it. I would want to read more of things like this. And that feedback is valuable for a specific reason. If that is all they're saying, this is great. I want to read more. While that feedback is not going to help you iron out the kinks and dings and dents in your manuscript. And it's not necessarily going to help you with your craft. It can show you that producing work like this. There are people who want to support your craft. And that is very valuable. So even though the tools aren't there, even though the feedback isn't there to help you get better as a writer, it is really cool to know that people are there to support you as a writer.
[00:11:12] And like I said, that is valuable too. However, with a lot of people, they responded to the questions. And I liked that and I took notes and I paid attention. With those questions though, I found that with many of them, I didn't require seven people to answer each of those questions just because the same answers for many of those questions ended up showing up like seven different times.
[00:11:41] That's okay. We live and we learn. However, there were a couple peers a couple people that read it, took notes, re-read it. And then had a really long conversation with me about how it went about, what was working and what wasn't working. And I'll come back to that in just a second, just because people who are willing to put that type of attention and energy into my work, those are people that I hold near and dear. I mean, everybody who is supporting my work is held near and dear, but those are the people that I will go to with the first ideas, with the baby ideas that I need to grow from, the really underdeveloped things that need to grow that are still vulnerable and still scary and still underdeveloped. And working together we're able to come up with some cooler things for the next revision of this story.
[00:12:47] With this, and I recommend this thing until the day I die. It is important to send your work, especially if you are writing to market, it is important to send your work to someone you don't know, or to many people that you don't know.
[00:13:02] When you are ready for that, you will know. I sent this first revision. I will likely try to find another person that I don't know to read this after this next round of revisions, but here's the reason why. The feedback that a stranger gives you is really hard to take, but it is super honest and it's usually really direct and it's really easy to understand, and that matters my friends.
[00:13:30] These people are not preserving a friendship. And so there is no holding back when it comes to what isn't working, what is confusing, what seems silly, but seems banale or stupid. I mean, what other words did this nice person include? But the points that this person brought to my attention were good points. It was clear that I had not conveyed so much of this story clearly.
[00:14:01] And like I said, because we weren't already friends, there was no reason to pretend like we were friends and try to sugarcoat anything. Most of the stuff that this person told me was really good and really valuable feedback. And so what I was able to do is take the key points from her feed back and talk about them with these other friends who were interested in helping me develop the story.
[00:14:29] So they didn't have to worry about stepping on eggshells. They didn't have to worry about offending. I got to say, oh, this other lady said this and this and this. And they're like, oh yeah, I guess that makes sense. And then we were able to discuss together ways to make it better. So with these conversations, some people tend to kind of freak out about it because they don't know how to have a critique conversation. So with these conversations, it is you and somebody else. And maybe a third person who are trying to improve a specific work. They're trying to make things better. If you or someone is coming to the table just in the attitude of saying this sucks. You need to leave it alone. You need to throw it away.
[00:15:16] Then you're not going to have this conversation with that person, but everybody has the common goal and the common understanding that this work is not finished and we are joining forces to make it better. The way that this conversation unfolds is much of the time the person will have notes. The person will have some ideas, but they don't really know how to get started about it just because Cohesion and hoping that everything links together and thoughts and different things like that.
[00:15:50] But this conversation is not going to be a dissertation. This conversation is not going to be like baring of souls. This conversation is largely brainstorming, which means a lot of the ideas and a lot of the topics don't have to mesh in the most beautiful way throughout the conversation. It's okay to jump from topic to topic.
[00:16:15] It's okay to say, oh, are we done with this? Because on the next page, this completely different problem is there. Let's talk about that now. And through those, I had two friends who were very interested in helping me improve this work of fiction. And that is exactly how the conversation went. They put aside an hour, we had a phone call and we talked about all the things that didn't work.
[00:16:42] And we talked about the things that this stranger critique partner brought to my attention, and we were able to iron out things and bring up some different ideas and some different approaches that I should try to incorporate into the next revision of this work. And that happened to me twice and it was beautiful and I felt enriched at the end and they were excited that they were included with this.
[00:17:11] And it was a really good thing. So I guess the takeaway here is when you are searching for feedback, it is important to help by supplying a list of questions. If it's a person who's already experienced with giving feedback, they likely won't pay much attention to those questions, but a lot of people don't read fiction critically.
[00:17:35] And so they they may need a little help with that. And that's great. Also, if you find those friends who are so engaged and so interested in helping you develop your craft, make sure to keep them near and dear. Take care of those friends. And lastly, If you have the people who say this is good, I want to read more, and then don't say much more than that. That means that you're on the right track and that what you have written is good. And while it may not improve your craft, it shows that there are people in the world who want to support your craft. So that's the quick take home for today.
[00:18:24] Thank you so much for tuning in and listening to this episode. If you wish to become a patron of this writing in the tiny house podcast, go topatreon.com/writinginthetinyhouse. And I will have links to that in the show notes of this episode. Go ahead and follow me on Instagram. My handle is @authordevindavis and on Twitter my handle is@authordevind. And have fun writing. We will see you next time guys. Bye.
No comments:
Post a Comment