Wednesday, December 28, 2022

The Ending of a Season


As we close this season, I hope you have all had happy holidays, and a happy new year!

“Brigitte,” Installment One of Tales from Vlaydor, is available on ebook and audiobook. Follow the link to find them on Amazon:

https://www.amazon.com/s?k=brigitte+devin+davis&ref=nb_sb_noss_1

Become a patron today! Visit patreon.com/writinginthetinyhouse

Get ahold of Krissy Barton with Little Syllables editing services. She does free sample edits to see if you and she would be the right fit. www.littlesyllables.com

Instagram: @authordevindavis

Twitter: @authordevind


Check out this episode!

Wednesday, December 21, 2022

Therapy


It's more than a creative outlet. It's also a way to explore relationships.

“Brigitte,” Installment One of Tales from Vlaydor, is available on ebook and audiobook. Follow the link to find them on Amazon:

https://www.amazon.com/s?k=brigitte+devin+davis&ref=nb_sb_noss_1

Become a patron today! Visit patreon.com/writinginthetinyhouse

Get ahold of Krissy Barton with Little Syllables editing services. She does free sample edits to see if you and she would be the right fit. www.littlesyllables.com

Instagram: @authordevindavis

Twitter: @authordevind


Check out this episode!

Wednesday, December 14, 2022

Seasons of Writing


I experience things seasonally: I begin things, and I end things, and I know that in the future I will start again. Writing is one of the things in my life that has taught me this importnat lesson. Knowing that if I stop something, I can now predict when I will pick it back up again, and at that time I will be in the perfect headspace to do so.

“Brigitte,” Installment One of Tales from Vlaydor, is available on ebook and audiobook. Follow the link to find them on Amazon:

https://www.amazon.com/s?k=brigitte+devin+davis&ref=nb_sb_noss_1

Become a patron today! Visit patreon.com/writinginthetinyhouse

Get ahold of Krissy Barton with Little Syllables editing services. She does free sample edits to see if you and she would be the right fit. www.littlesyllables.com

Instagram: @authordevindavis

Twitter: @authordevind


Check out this episode!

Wednesday, December 7, 2022

Freewrite


The benefits of writing tools.

“Brigitte,” Installment One of Tales from Vlaydor, is available on ebook and audiobook. Follow the link to find them on Amazon:

https://www.amazon.com/s?k=brigitte+devin+davis&ref=nb_sb_noss_1

Become a patron today! Visit patreon.com/writinginthetinyhouse

Get ahold of Krissy Barton with Little Syllables editing services. She does free sample edits to see if you and she would be the right fit. www.littlesyllables.com

Instagram: @authordevindavis

Twitter: @authordevind


Check out this episode!

Wednesday, November 30, 2022

Moving On.


We start a big thing. We get sick. That thing gets delayed. We move on.

“Brigitte,” Installment One of Tales from Vlaydor, is available on ebook and audiobook. Follow the link to find them on Amazon:

https://www.amazon.com/s?k=brigitte+devin+davis&ref=nb_sb_noss_1

Become a patron today! Visit patreon.com/writinginthetinyhouse

Get ahold of Krissy Barton with Little Syllables editing services. She does free sample edits to see if you and she would be the right fit. www.littlesyllables.com

Instagram: @authordevindavis

Twitter: @authordevind


Check out this episode!

Wednesday, November 23, 2022

NANOWRIMO: Villains and Plot


Hope you make it past the finish line with NaNoWriMo!

“Brigitte,” Installment One of Tales from Vlaydor, is available on ebook and audiobook. Follow the link to find them on Amazon:

https://www.amazon.com/s?k=brigitte+devin+davis&ref=nb_sb_noss_1

Become a patron today! Visit patreon.com/writinginthetinyhouse

Get ahold of Krissy Barton with Little Syllables editing services. She does free sample edits to see if you and she would be the right fit. www.littlesyllables.com

Instagram: @authordevindavis

Twitter: @authordevind


Check out this episode!

Wednesday, November 16, 2022

NANOWRIMO: Villains and Dialogue


Happy NaNoWriMo, everyone!

“Brigitte,” Installment One of Tales from Vlaydor, is available on ebook and audiobook. Follow the link to find them on Amazon:

https://www.amazon.com/s?k=brigitte+devin+davis&ref=nb_sb_noss_1

Become a patron today! Visit patreon.com/writinginthetinyhouse

Get ahold of Krissy Barton with Little Syllables editing services. She does free sample edits to see if you and she would be the right fit. www.littlesyllables.com

Instagram: @authordevindavis

Twitter: @authordevind


Check out this episode!

Wednesday, November 9, 2022

NaNoWriMo: All About Villains!


Let's be friends on NaNoWriMo. Username: author_devin_davis

“Brigitte,” Installment One of Tales from Vlaydor, is available on ebook and audiobook. Follow the link to find them on Amazon:

https://www.amazon.com/s?k=brigitte+devin+davis&ref=nb_sb_noss_1

Become a patron today! Visit patreon.com/writinginthetinyhouse

Get ahold of Krissy Barton with Little Syllables editing services. She does free sample edits to see if you and she would be the right fit. www.littlesyllables.com

Instagram: @authordevindavis

Twitter: @authordevind


Check out this episode!

Wednesday, November 2, 2022

NANOWRIMO 2022 HAS BEGUN!


This episode has a a super awesome guided meditation to help you through the stressfull process of drafting your work in progress!

“Brigitte,” Installment One of Tales from Vlaydor, is available on ebook and audiobook. Follow the link to find them on Amazon:

https://www.amazon.com/s?k=brigitte+devin+davis&ref=nb_sb_noss_1

Become a patron today! Visit patreon.com/writinginthetinyhouse

Get ahold of Krissy Barton with Little Syllables editing services. She does free sample edits to see if you and she would be the right fit. www.littlesyllables.com

Instagram: @authordevindavis

Twitter: @authordevind


Check out this episode!

Wednesday, October 26, 2022

Preptober: Let's Get Vain!


Get your tools together for our big drafting sprint that begins November 1st?

And, let's be friends on NaNoWriMo:

username: author_devin_davis

“Brigitte,” Installment One of Tales from Vlaydor, is available on ebook and audiobook. Follow the link to find them on Amazon:

https://www.amazon.com/s?k=brigitte+devin+davis&ref=nb_sb_noss_1

Become a patron today! Visit patreon.com/writinginthetinyhouse

Get ahold of Krissy Barton with Little Syllables editing services. She does free sample edits to see if you and she would be the right fit. www.littlesyllables.com

Instagram: @authordevindavis

Twitter: @authordevind


Check out this episode!

Wednesday, October 19, 2022

Join Hands!


Join me in NaNoWriMo! 

username: author_devin_davis

Sign up today and add me as a friend! Let's do this thing together.

“Brigitte,” Installment One of Tales from Vlaydor, is available on ebook and audiobook. Follow the link to find them on Amazon:

https://www.amazon.com/s?k=brigitte+devin+davis&ref=nb_sb_noss_1

Become a patron today! Visit patreon.com/writinginthetinyhouse

Get ahold of Krissy Barton with Little Syllables editing services. She does free sample edits to see if you and she would be the right fit. www.littlesyllables.com

Instagram: @authordevindavis

Twitter: @authordevind


Check out this episode!

Wednesday, October 12, 2022

Preptober: Out (of) Line


Do an outline! It can look many different ways.

NaNoWriMo: author_devin_davis

“Brigitte,” Installment One of Tales from Vlaydor, is available on ebook and audiobook. Follow the link to find them on Amazon:

https://www.amazon.com/s?k=brigitte+devin+davis&ref=nb_sb_noss_1

Become a patron today! Visit patreon.com/writinginthetinyhouse

Get ahold of Krissy Barton with Little Syllables editing services. She does free sample edits to see if you and she would be the right fit. www.littlesyllables.com

Instagram: @authordevindavis

Twitter: @authordevind


Check out this episode!

Wednesday, October 5, 2022

Pick and Character, Any Character!


We're doing Preptober by making character profiles!

“Brigitte,” Installment One of Tales from Vlaydor, is available on ebook and audiobook. Follow the link to find them on Amazon:

https://www.amazon.com/s?k=brigitte+devin+davis&ref=nb_sb_noss_1

Become a patron today! Visit patreon.com/writinginthetinyhouse

Get ahold of Krissy Barton with Little Syllables editing services. She does free sample edits to see if you and she would be the right fit. www.littlesyllables.com

Instagram: @authordevindavis

Twitter: @authordevind


Check out this episode!

Wednesday, September 28, 2022

Preptober: It Has Begun!


We're starting Preptober a week early this year as we prepare for NaNoWriMo.

This week: the benefits of a map! Don't miss out.

“Brigitte,” Installment One of Tales from Vlaydor, is available on ebook and audiobook. Follow the link to find them on Amazon:

https://www.amazon.com/s?k=brigitte+devin+davis&ref=nb_sb_noss_1

Become a patron today! Visit patreon.com/writinginthetinyhouse

Get ahold of Krissy Barton with Little Syllables editing services. She does free sample edits to see if you and she would be the right fit. www.littlesyllables.com

Instagram: @authordevindavis

Twitter: @authordevind


Check out this episode!

Wednesday, September 21, 2022

Take a Vacay!


“Brigitte,” Installment One of Tales from Vlaydor, is available on ebook and audiobook. Follow the link to find them on Amazon:

https://www.amazon.com/s?k=brigitte+devin+davis&ref=nb_sb_noss_1

Become a patron today! Visit patreon.com/writinginthetinyhouse

Get ahold of Krissy Barton with Little Syllables editing services. She does free sample edits to see if you and she would be the right fit. www.littlesyllables.com

Instagram: @authordevindavis

Twitter: @authordevind

Tik Tok: snow.white.whistles


Check out this episode!

Wednesday, September 14, 2022

Live, At the Moment


Another clip episode where I take you into some of the moments of me going through the beta reading process.

“Brigitte,” Installment One of Tales from Vlaydor, is available on ebook and audiobook. Follow the link to find them on Amazon:

https://www.amazon.com/s?k=brigitte+devin+davis&ref=nb_sb_noss_1

Become a patron today! Visit patreon.com/writinginthetinyhouse

Get ahold of Krissy Barton with Little Syllables editing services. She does free sample edits to see if you and she would be the right fit. www.littlesyllables.com

Instagram: @authordevindavis

Twitter: @authordevind


Check out this episode!

Wednesday, September 7, 2022

Reality Check


A dose of reality for today.

“Brigitte,” Installment One of Tales from Vlaydor, is available on ebook and audiobook. Follow the link to find them on Amazon:

https://www.amazon.com/s?k=brigitte+devin+davis&ref=nb_sb_noss_1

Become a patron today! Visit patreon.com/writinginthetinyhouse

Get ahold of Krissy Barton with Little Syllables editing services. She does free sample edits to see if you and she would be the right fit. www.littlesyllables.com

Instagram: @authordevindavis

Twitter: @authordevind

The following is an imperfect transcript of this episode. A complete transcript can be found on the show’s webpage.

[00:00:00] Hello, and welcome to the show Writing in the Tiny House. The entire point of this podcast is to help the tormented artist by sharing what I know about writing, publishing, and stress management, so that you can have the tools to produce the content that you have been eager to write. If you have the steps in place, you can produce a short story in as few as three months or a novel in as few as 18. And hopefully through the ideas in this podcast, you will have the wisdom to adjust that timeline if you need to. I am Devin Davis, the guy who lives and writes in a tiny house in Northern Utah. Thank you for tuning in, and please enjoy today's episode of Writing in the Tiny House.

 Hello and good morning. It is another [00:01:00] Wednesday. And here we are in the tiny house doing another episode of this awesome show guys. It has been rough. Things have been rough, and I will compile another clip episode on my experience with beta readers later, just because that whole process isn't finished yet.

I have a few beta readers who have not given feedback. I'm going to be meeting one of them tonight for drinks. I'm excited to hear what she has to say, but there has been a reality check in my life, and I have decided to share that reality check with you all today. at the same time, I don't want this to sound bitter or whatever, just because sometimes when we have moments like this, it's really easy to just get mad and it's okay to get mad.

It is also a very healthy way to realize your life and to realize what you're doing, to realize the next [00:02:00] steps to realize. Your reality, hence the reality check. here's the fundamental question with all of this that I don't know that I've addressed in a previous episode of writing in the tiny house, what does it take to be a writer?

What does it take for a person to say that they are a writer and like with so many art based things? I mean, in reality, you don't, you don't have to have painted anything in order to say that you're a painter, you certainly don't have to have sold any of your paintings to say that you're a painter and you don't have to have any of your artwork in your house.

It is something where you can say it. And it is true I mean, with painting, perhaps you, you need to have held a brush at some time in your life, and that could have been at any time. And at that moment in time, you were a painter and you could still claim to be a painter because, because, because of opinions, because of, [00:03:00] you know, time isn't real, anyway, stuff like that.

Writing is the same. If you have written an essay ever in your life, you are a writer and today you could still claim to be a writer. If you have not written a single word since that essay in junior high school at the same time, though, if you do claim to be a writer, people will want to see.

the fruits of your labor. They will want to see what you have done. And so if you say that you are a writer, especially if it is your profession instead of your hobby, and that's another tricky part with this friends, if you want it to be your profession, there's a lot of stuff that you're going to have to do.

and the fact of the matter is most writers in this world do not support themselves through their writing. If you want to support yourself through your writing, there is a [00:04:00] lot you are going to have to do, and it will take a long time. I mean, there are always exceptions to all of the things that I'm going to be saying, but by and large, most writers don't support themselves with writing and.

Those who do it has taken a long time to get there, or a lot of the writers that we see today are able to write full time because a loved one is actually supporting them Or whatever they write full time because they don't need to worry about income.

Income is being provided somewhere else, either through a loved one or inheritance or whatever, whatever. and like I said, there's always exceptions to that. , but here we are here. We here I am. I finished another pass with TIS and we're doing the beta readers and I received feedback that ti needs to be longer ti needs to be a full on novel instead of just a Nove The beta reader who said that [00:05:00] had all of the reasons to back it up, had all of it for this reason and that reason and whatever the thing is, I originally wrote his. thinking that it would just be a short story. And so I worked it out in the method that we see short stories.

There aren't many characters. There aren't many characters who speak, everything feels pretty condensed. and that's how I wanted it, but was it the best way to do it? This beta reader has shown me that probably it wasn't. So while there were definitely strong parts in Ts, and I appreciate that and I love knowing that those things were there.

thus far, I've gotten a lot of good feedback from ti. Another trick, like another kind of interesting thing with beta readers is if somebody says that they don't like the main character and another person says that they do like the main character, the thing is both of those beta readers are right.

I mean, there's always a chance that the first person missed [00:06:00] something or there's a chance that I didn't do it. Right. Or there's probably. A greater chance of a little bit of both of those possibilities, but I've received very good feedback from ti thus far, but one beta reader wanted to understand the scope of it all.

the thing is TIS is supposed to be the first book of a world of books. I. Hesitate to say that it's a, well, it would be a series, but the thing is, each of the books is not necessarily a continuation of the previous book. Most of these books will have different characters with different plots and different things, but they all take place in the same world.

And so this collection of books, this tales from LAER stuff. That we've been doing for the past while is actually a world of books. It is [00:07:00] a world of lives. It's a world of people and not necessarily all of the books are continuations of a previous plot. and that's where we are. So we have stories that take place in this city.

We have stories that take place in another city and the stories are unrelated except for a single element that ties in later. And of course, all of this builds for the final thing at the end, just because that's how it gets to be. Right. You build for 10 books and then you have the final trilogy at the end with a big battle.

it? It's something that we've seen a lot in fantasy. going back to this idea of being a writer and what it all kind of looks like this beta reader wanted to understand the scope of where we were headed with this of where T was going of the [00:08:00] future projects. that are on the horizon, so to speak.

And she said that the story is too big and the world is too complicated. And the intricacies of the magic system are such that it cannot all be properly developed in a Nove. And the thing with releasing a collection of short stories and a collection of Noves over time is the entire world is not fully developed in each Nove.

And unless the Noves are all released at the same time, the reader is only going to get a half baked world in each Nove over the next. Many years until I'm finished with them. And so I can either release a collection of Noves all at once, or I can kind of flex my muscles and do all of the world building and make [00:09:00] TIS a big beefy novel, which will then set off this entire collection of this entire world of books with a splash.

There's a lot of. heat writing on the first book of any collection of stories and any series. The first book is super important and I am convinced right now that a Nove is not the best way to do a first book. It was a year ago. That I was seeing a trend of people releasing a Nove as a way to test a theory or to test the market, to see if releasing something larger or something, you know, along those lines of the Nove later would land well.

And so the novella was a way to test the market and the thing. Now that we are [00:10:00] 18 months beyond that, beyond me hearing about that first trend, I have not seen the fruit of any of the people following those trends yet. I know of one person who released a Nove. His name is Daniel Green. and it was his first, anything that he ever wrote, he has a very large following on YouTube, a very respectable, big following.

And so he's self-published because he already has a big audience that he directly addresses, I think two times a week on his channel on YouTube. And he released a novella and I don't know what has come of. I don't know if he has continued with that or not, or if it was just a good project that he did.

And now it's done. Who knows? I mean, I could, I could figure it out and I probably shouldn't include that on a podcast episode, but here we are just standing here thinking so. [00:11:00] considering the length of time that comes in between these projects is a Nove the best way to go. Like I said, I'm convinced that it's not, that also means that ti gets to be largely rewritten.

And so to be a writer, here's the thing, friends here is the hard thing

to be a writer you write to be a writer does not mean that other people will have to read what you have written. You do not need to land yourself a big following in order to be considered a writer. I have thus far written, literally hundreds of thousands of words. Literally hundreds of thousands of words that all belong within this world of lado.

And this dates back to my first novels that I released when I was 24. I mean, this was forever ago. And I mean, it's what happens when you're 24 and you're eager to have a book out in [00:12:00] the world. And so you release a book that has not had a final proofread. So those books are not available now, but they take place in lado and so, here we are. I have written hundreds of thousands of words. I am going to write hundreds of thousands of more words until a readership gets a hold of any of it. And so the question of the day is, and I ask this very seriously because I already know my own answer, but I'm going to pose it to you.

The listeners of writing in the tiny house. I'm, I'm assuming that most of you are writers are hoping to be whether professionally or as a hobby or whatever writing fulfills in your life. If you end up writing hundreds of thousands of words and a handful of people only ever get to read some of it, is it all worth it?[00:13:00] 

So go ahead and think about that because hundreds of thousands of words represents hours and hours, hundreds of hours. if not more and as a writer, is it worth it? If only a handful of people ever read a fraction of the stuff you have written. So for me, the answer is yes, that's something that I've been toiling with for a long time.

And I have this big ass series. That I have been struggling with for a long time to begin to start. And now, because life is different than it was 10 years ago, I can start it, but this is something that will likely carry me into my sixties. There's enough books and enough, there there's enough content to carry me into my sixties.

we get to just wonder if something that takes up so much [00:14:00] of my life, doesn't get read by somebody else or only a handful of other people and whatever else is it going to be worth it, something to think about. So thank you for joining me. And I leave you with that sobering thought.

 And that is it for today. Before we go, I need to say that my current work in progress Tiz the next installment of Tales from Vlaydor is ready for beta readers, people to read the novella and share with me their experience. It's a big, important step before publishing. So if you wish to be a part of this project, reach out to me on my social media handles; on Instagram I'm @authordevindavis, and on Twitter I'm @authordevind. And remember that my short story Brigitte is available on Amazon as an ebook and on Audible as an audio book. Check those out today. [00:15:00] 


Check out this episode!

Wednesday, August 31, 2022

Take Notes!


Even if you take time away from your manuscript, make sure to take notes while your brain (and beta readers) tell you changes to make during your next pass of edits!

If you are interested in being a beta reader for Tiz, my novella, be sure to contact me on my social media handles.

“Brigitte,” Installment One of Tales from Vlaydor, is available on ebook and audiobook. Follow the link to find them on Amazon:

https://www.amazon.com/s?k=brigitte+devin+davis&ref=nb_sb_noss_1

Become a patron today! Visit patreon.com/writinginthetinyhouse

Get ahold of Krissy Barton with Little Syllables editing services. She does free sample edits to see if you and she would be the right fit. www.littlesyllables.com

Instagram: @authordevindavis

Twitter: @authordevind

The following is an imperfect transcript of this episode. A complete transcript can be found on the show’s webpage.

 [00:00:00] Hello, and welcome to the show Writing in the Tiny House. The entire point of this podcast is to help the tormented artist by sharing what I know about writing, publishing, and stress management, so that you can have the tools to produce the content that you have been eager to write. If you have the steps in place, you can produce a short story in as few as three months or a novel in as few as 18. And hopefully through the ideas in this podcast, you will have the wisdom to adjust that timeline if you need to. I am Devin Davis, the guy who lives and writes in a tiny house in Northern Utah. Thank you for tuning in, and please enjoy today's episode of Writing in the Tiny House.

 Well, hello and happy [00:01:00] Wednesday. It is another episode of writing in the tiny house. And thank you so much for joining me. So like I, well, like I have mentioned in the past couple episodes, my work in progress ti is in a place where it needs beta readers. And if you are in a position where you want to be involved, please let me know by contacting me through my social stuff.

So all of that is listed in the show notes. Don't be bashful with beta reading. It's reading in a casual way, just like you would any other novel and then giving feedback. I don't want you to flex your muscles when it comes to editing. We're not to that stage yet. I just want feedback on content, but guys, today is a little bit about what to do in the interim between drafts and beta reading.

We are at a point with ti where I have a group of people reading my book [00:02:00] and giving feedback, and they are giving feedback at different rates at different times during the week. And there aren't very many of them, but here's something to understand friends, beta readers are. Wonderful volunteers who are incredibly valuable to the process of writing.

However, they are going to require an amount of reminding your book is not nearly as important to them. As it is to you. And if you are in a spot where you are ready for beta readers and you start to get your program together, it's important to spell out to everybody who wants to read your book when you want them to have it finished.

And. That you are going to be following up with them throughout the process. It's important to let them know that so that when you pop in halfway through just to see how it's going and they haven't started [00:03:00] yet, they won't be mad and it won't be unexpected. I mean, like I said, these people are not getting paid.

They are doing it out of the kindness of their heart. And so it's important to be grateful at the same time, there is an amount of patience with all of this and when you get feedback and that's what this whole episode is for. Well, two things. When you get feedback, you need to have a way to organize all of that.

And what are you going to do with yourself during this time? This beta reading program has been going on for about two weeks. And I have said in previous episodes that it is important between drafts to let your draft cool off. That means that you don't get to futz around with it. You don't get to tease it apart.

You don't get to pick apart that if different things that are not working or don't seem to be working. And you get to leave it alone. You get to step away and let it cool off. That's what some people call it. At [00:04:00] least when you. Put that time in between you and your current draft, it allows your mind to refresh.

And so when you do finally go back and you start to read it, it's going to be with fresh eyes and it's going to be with a fresh mindset so that you can actually do better editing work. during. Your beta reading program. it is important to have that space, that time built into what you are doing.

So if you remember a few weeks ago, when I finished my first draft and got it. Readable. I let it rest for a few days. I didn't let it rest for as long as I'm about to let it rest. I mean, this has been almost two weeks. I did just a few days. And then I went through and did a first passive edit. Then I gave it to my friend my developmental editor crystal, and she went through and read it and took notes.

And while she was involved with that, I let my [00:05:00] manuscript rest. so that when she had notes to give me, I was in a good place to go through and put in those notes and make those changes. Now that we are at an even better place with the manuscript, I get to let it rest again. So not only am I giving my attention to.

Gathering information and compiling it into a meaningful, easy to understand layout. I mean, it's a Novea, it's not a full blown novel. And if I were doing a novel, I would have a different system to take notes with. All of the information that I'll be getting from my beta readers. And I likely wouldn't have given the entire document to them all at once.

I would've likely split it up into a couple installments so that I could get fresher feedback that is more specific to what they just read. Instead of giving them a really big book and then getting feedback all at once and having them [00:06:00] forget parts, it's just a way to help them help you.

So with a Nove, you don't need to do that. This thing is only 20,000 words. It's only about 125 printed pages or 120, depending on how you format your book, but that's about how long it is. And so there is no harm in just giving the book all at once in this instance. not only am I devoting attention to that, but I am.

Paying attention to what the beta readers have to say. And as they give feedback, it also inspires me to make additional changes, but right now is not the time to make those changes. So here's the deal guys. when we come to swapping ideas and whatever, the wheels will start to turn in your brain and you are going to want to dive right back into your manuscript to make those changes.

Especially if you get good feedback from one of your beta readers, I gave my book to, a young lady [00:07:00] who read it recently. And some of the feedback that she gave was perfect. she said all of the things that she liked, and then she said some things that she wanted a bit more of. And I can add that into the manuscript, but as I was thinking about it, it triggered a little bit of other places where I could add more to some other scenes in the book where I could insert a little bit of this or that just to fill it out and to give a better sense of who is there a better sense of setting and.

That was inspired though. It was not mentioned directly in the feedback that I got recently from one of my beta readers. So this is my advice to you, my dear friends, listening to this episode during these times, when you are letting your manuscript cool off. It is still important to take notes as [00:08:00] far as what your brain is telling you needs to happen with your manuscript.

be sure to have a good place. It can be on your phone. It can be a notebook at home. I have a sticky note on my desktop where I'm keeping a lot of these notes, but have a place To write down that inspiration so that you can have a list of points to make when you go through, another time to make more edits to your draft.

So with developmental edits, you are going to be making several passes of edits until your book is at a good place to send to your editor. And it's important to make those passes. If you think that you're going to be making all of your developmental edits happen in one go, you are going to be surprised or maybe disappointed when it doesn't happen that way.

However, the more that you do it, the more that you practice the [00:09:00] fewer times. Possibly, I mean, most likely fewer times that you were going to have to make passes in order to do some complete developmental edits or. You'll just get better at doing it. So the passes don't take as long and you can be more efficient with your revisions.

I was thinking about a metaphor with all of this, with just this whole part of writing. And the thing is the first draft. if we are going to compare this to a garden or to a farm. Or something where we plant a thing and then it grows. The first draft is largely preparing the soil and planting seeds.

The first draft is rough and it is hard to see some of the beautiful things in your first draft, especially when you read through it after you're done. I mean, there is problems and. It is through the many steps of revision that we coax out from the ground, the [00:10:00] beautiful things that we want and the beautiful things that are already there.

So it's like the seeds and you are growing your flowers or you are growing your vegetables or your pumpkins or whatever else It is the labor and the tending and the weeding and the watering. All of those steps that make those things grow. and all of that comes through revision and through editing and revision, revision revision.

And at the end things just get better. Guys. TIS was in a very good place when I sent it to my beta readers. Now that I'm getting feedback, I'm realizing that I didn't realize before that there are other places to make it fill out and to make it even better, to make it make more sense.

And that's cool because I can see, I can see where it needs to go and then I can put the effort into it to get there. Again, just to sum all of this up while you are taking a break [00:11:00] from your work in progress and letting it cool off, be sure to still take notes. It's important to create some distance between you and your work in progress for an amount of time.

But. It is still important to pay attention and take notes to the things that your brain and other people are going to be telling you about your work in progress. So thank you for tuning in.

 And that is it for today. Before we go, I need to say that my current work in progress Tiz the next installment of Tales from Vlaydor is ready for beta readers, people to read the novella and share with me their experience. It's a big, important step before publishing. So if you wish to be a part of this project, reach out to me on my social media handles; on Instagram I'm @authordevindavis, and on Twitter I'm @authordevind. And remember that my short story Brigitte is available on Amazon as an ebook [00:12:00] and on Audible as an audio book. Check those out today. 


Check out this episode!

Wednesday, August 24, 2022

Prepping for Betas!


Devin catched us up on his writing process by taking us through another round of developmental edits. This episode ends the day before he sends copies of his novella Tiz, the next installment of Tales from Vlaydor, to his beta reading team.

If you wish to join his beta reading team, contact him through his social media.

“Brigitte,” Installment One of Tales from Vlaydor, is available on ebook and audiobook. Follow the link to find them on Amazon:

https://www.amazon.com/s?k=brigitte+devin+davis&ref=nb_sb_noss_1

Become a patron today! Visit patreon.com/writinginthetinyhouse

Get ahold of Krissy Barton with Little Syllables editing services. She does free sample edits to see if you and she would be the right fit. www.littlesyllables.com

Instagram: @authordevindavis

Twitter: @authordevind


Check out this episode!

Wednesday, August 17, 2022

Bring on the Beta Readers!


Tiz is ready for beta testing! Reach out to me so you can get involved today! Contact me on social media.

“Brigitte,” Installment One of Tales from Vlaydor, is available on ebook and audiobook. Follow the link to find them on Amazon:

https://www.amazon.com/s?k=brigitte+devin+davis&ref=nb_sb_noss_1

Become a patron today! Visit patreon.com/writinginthetinyhouse

Get ahold of Krissy Barton with Little Syllables editing services. She does free sample edits to see if you and she would be the right fit. www.littlesyllables.com

Instagram: @authordevindavis

Twitter: @authordevind

The following is an imperfect transcript of this episode. A complete transcript can be found on the show’s webpage.

[00:00:00] Hello, and welcome to the show Writing in the Tiny House. The entire point of this podcast is to help the tormented artist by sharing what I know about writing, publishing, and stress management, so that you can have the tools to produce the content that you have been eager to write. If you have the steps in place, you can produce a short story in as few as three months or a novel in as few as 18. And hopefully through the ideas in this podcast, you will have the wisdom to adjust that timeline if you need to. I am Devin Davis, the guy who lives and writes in a tiny house in Northern Utah. Thank you for tuning in, and please enjoy today's episode of Writing in the Tiny House.

 Hello? Hello. Hello, [00:01:00] and welcome to the show Writing in the Tiny House. Guys, it's been a really busy summer. How has your summer been? I am doing one last, well, actually, I don't know. It's hard to say just how many passes of a work in progress constitute a session of editing, but I've been doing more content edits more developmental edits for the past while.

And I'm feeling really, really good about my work in progress. Tiz is making huge strides toward being just kind of the perfect thing right now. And I'm getting super excited about it. I have a goal to get this round of developmental edits finished by this weekend so that I can move on to beta readers because we are at that point in our lives, my friends. So beta readers are super awesome and they are a huge part of the publishing process if you are professionally [00:02:00] self-publishing.

just really quickly. If you already know what a beta reader is, and you want to be a part of my beta reading team, please reach out to me on social media on Instagram. I'm @authordevindavis Davis and on Twitter. I'm @authordevind and I will hook you up that way.

If you don't know what a beta reader is, a beta reader is a person who read. A work in progress pretty casually, as casually as you would read anything else that you are reading for entertainment and then simply shares in some way, their experience with the author or whoever is doing the edits for the work that they are involved with. What that looks like.

So all of that is well and good, but this is kind of what the process looks like, just because we're all busy. We all have a lot to do. And a lot of people. Oh, I would love to beta read, but they don't fully understand the importance that they are playing in the process. So [00:03:00] usually when a work is to the point of beta reading, it has been through a number of developmental edits.

So in my case, I finished the work in progress and then I cleaned it up so that it would be ready for me to actually read. Because if you remember, I dictated my work. And that required a lot of tweaking afterward, which is fine. It, it was not a waste of time. And I was glad that I did it. It got me through, I cleaned it up as a way to just read it, to be able to sit back and read the content.

I did my own developmental edits, at least one round of them. And then I sent my story to my developmental editor, crystal and a critique partner as a way to. Have them show me holes that I might have missed. And I have had conversations with both of those people in some way, crystal, we speak on the phone and then this critique partner, she actually sent me a big document [00:04:00] with her thoughts and her notes and her suggestions.

And I have paid very close attention to both of those things. Now I'm working through it again, going through the developmental edits again, and things are improving. Things are better. Like the story is starting to bloom and I'm really excited to see that it's such a breath of fresh air to actually see what this can be to me, the magic of writing is in the edits anyway.

And so when you crash out your first draft and it looks like garbage because it is garbage, you are tilling the soil and planting seeds, and then it's through the developmental edits that you water the place so that plants can grow. And I'm seeing that with this. So. This is the way a beta reader program works. while you are certainly going to, let's say that you go ahead and you sign up for my beta reader [00:05:00] program, because you are super interested in what I am writing and you want. Part of it. And you want to be involved in this whole process because you love the arts.

You love fiction, you love fantasy fiction and how fun to be involved, right. Even if you're not a writer. So what happens is, and, and this is how it, it's a little bit different for every author, but I'm going to show you my. Program here and tell you a little bit about what other programs look like. So beta reading is in essence beta testing.

When a person, when a company or when a. Group of people develop a product. They need to test that product to make sure it's something that people want to use. And so if you have been a part of a beta testing trial with new products, what they do is they provide you with the [00:06:00] product so that you can use it.

And in fact, they may have some suggestions with specific applications for you to use it So that you can get a full feel of what the product is even for and what it's about. And then at the end, there's always a questionnaire. There is always a way for you to share your experience and offer feedback now with a beta reading program.

It's much the same thing. An author is asking a person to read a book. So in my instance, this novella, read it, read it casually, read it as you would. Any other book that you read for entertainment? This is not about studying. This is not about asking you for free editing stuff. This isn't that your role as a beta reader is not to sniff out all of the common mistakes and the misspelled words.

It is not to suggest [00:07:00] that this specific sentence would be better if you used this word instead of that word, that's not what beta reading is for. With beta reading, you have a manuscript that is not finished. And so we all just understand right away that it is not a perfect manuscript and there may be typos and little problems in it that you are going to be asked to ignore or to simply read.

Through. I mean, if you're reading and there's a, uh, a paragraph where a section that is really problematic, it is really good of you to mention that, but nobody expects you to put on your editing cap and try to flex your grammar muscles, cuz that's, that's not what the beta reader role is. Your role is to read it and then share with the author or whoever is doing the edits experience.

If you are [00:08:00] involved with a first time author, it is possible that they may not fully have a program developed. And so they may. Fully understand what sharing your experience needs to look like. It has been my experience with previous beta readers and just with other people who have read my stuff that you read a thing.

And then if someone simply says, share with me your experience, you don't really have a lot to say. You just read something, you experienced something, but you don't have words for it yet. So hopefully the program that you're entering into will have questions to kind of probe through your experience so that everybody can get an understanding for what worked, what didn't work.

And it's for the big parts of the story. It's for the relationships it's for setting it's for different things. A lot of authors will release [00:09:00] their books, especially if they have written a larger book and they are professionally self-publishing, they will release their book in sections to their beta readers so that they can have conversations fresh with each section of the book.

And they can gauge how each section of the book is doing instead of throwing this huge manuscript at somebody and expect them To read it and remember everything as they go through it. So, because TIS is a Nove, it's already a shorter document and there's no need for me to release it in sections. But oftentimes the author will say here's the first section or maybe the first chapter.

And then if they are prepared and they know what they're doing, they will have questions ready already for you to respond to. Questions about. How you felt, if there was tension in that specific chapter, if it was working for you, if the love [00:10:00] story is happening in a good way, just whatever the content is.

If they know what they are doing, they will ask. Specific questions and they'll have that ready for you to respond. And usually they will ask you to respond in a timely manner. Sometimes it can be a texting conversation. If it's somebody that, you know, on a more personal level, it can be a phone call. It can be something like Marco polo.

I don't know if. If you know what that app is, but it's basically video chatting or writing letters, but it's video. , that's how I feel that it is anyway. And you can go through and respond to those questions. It is important for you to be thorough. And it's important for you to be a little bit long winded.

super short answers to these questions are certainly helpful, but elaborating. On what you mean by those answers is always more useful, even if [00:11:00] you err, on the side of sharing too much. So sharing all the things, even if you feel all the things is kind of a lot to get through is very, very beneficial to a person who is gauging the content of their story.

And then once the beta reading project is over and done with, if it's an author, Has this all worked out, hopefully they are taking notes and they can go through and revise something or tweak something so that they can get ready to send it to their editor next. So this is a very important step in. All works in progress who were becoming professionally published professionally self-published.

And so again, if you are interested in joining my program, please reach out to me in social media. And I will, uh, I will announce that again at the end of this episode, here is, what other people's programs can look like sometimes. So a [00:12:00] lot of people will recommend 25. Beta readers to read their work in progress.

Sometimes it can be a struggle to find 25 people to read a book, especially if you're releasing a big book. If you're releasing this big epic fantasy thing, that's like 800 printed pages. It can be a lot to find people who can read that in a specific amount of time.

Just because if you're releasing on a schedule, you don't have six months for somebody to get around to reading your work in progress with these shorter works like with TIS and with BJE it. Take as long to find people to beta read, just because they are much shorter works. I mean, JE was just 9,000 words. TIS is 20,000 words. It's a proper novella, but they're not long documents. And so people can read them in a shorter amount of time and it's not as big of a [00:13:00] time commitment. with many people, they suggest 25 beta readers and. I know of some authors who go as high as 45 beta readers.

I have some mixed feelings about that. I do feel that you will flesh out absolutely everything. If you can get 45 people to read your work and respond to your thing. I also know that keeping notes on everybody's thoughts would be pretty tedious and a lot of people would end up sharing. The same things over and over again.

And if you want to endure that 45 times, then that's fine. I don't think that I'm going to be searching out 45 people to read ti. Also with my particular program, I like to release it to a small number of people get their input. And if there are glaring problems, I like to do another round of edits in order to fix those problems.

If I agree with them and then release it to [00:14:00] the next set of beta readers so that the manuscript can be continually improv. Before I send it off to my editor. So that's just kind of what the program looks like. That's what a program looks like. That's what beta readers are for beta readers are a huge part to the development of a book,

and like I said, it is beta testing to see if the book would land well, if people would like it, if people would buy it. And if the content is something that would stick around and come across as something important. So beta readers are super a big deal. And this is why all authors are super grateful for their beta reading team.

 And that is it for today. Before we go, I need to say that my current work in progress Tiz the next installment of Tales from Vlaydor is ready for beta readers, people to read [00:15:00] the novella and share with me their experience. It's a big, important step before publishing. So if you wish to be a part of this project, reach out to me on my social media handles; on Instagram I'm @authordevindavis, and on Twitter I'm @authordevind. And remember that my short story Brigitte is available on Amazon as an ebook and on Audible as an audio book. Check those out today. 


Check out this episode!

Wednesday, August 10, 2022

Slaying Stereotypes


I went on a binge of LGBTQ fiction after having never read a single book in the genre, and this episode is all about how I became fully converted!

The books I read that are covered in this episode:

Bath Haus, by P. J. Vernon

What if It's Us, by Becky Albertalli and Adam Silvera

Here's to Us, but the same two previous authors

And They Lived ..., by Steven Salvatore

Fifteen Hundred Miles from the Sun, by Jonny Garza Villa

All That's Left in the World, by Erik J. Brown

“Brigitte,” Installment One of Tales from Vlaydor, is available on ebook and audiobook. Follow the link to find them on Amazon:

https://www.amazon.com/s?k=brigitte+devin+davis&ref=nb_sb_noss_1

Become a patron today! Visit patreon.com/writinginthetinyhouse

Get ahold of Krissy Barton with Little Syllables editing services. She does free sample edits to see if you and she would be the right fit. www.littlesyllables.com

Instagram: @authordevindavis

Twitter: @authordevind


Check out this episode!

Wednesday, August 3, 2022

First Round of Dev Edits!


Join me as I take you behind the scenes as I make my first round of developmental edits on my manuscript Tiz.

“Brigitte,” Installment One of Tales from Vlaydor, is available on ebook and audiobook. Follow the link to find them on Amazon:

https://www.amazon.com/s?k=brigitte+devin+davis&ref=nb_sb_noss_1

Become a patron today! Visit patreon.com/writinginthetinyhouse

Get ahold of Krissy Barton with Little Syllables editing services. She does free sample edits to see if you and she would be the right fit. www.littlesyllables.com

Instagram: @authordevindavis

Twitter: @authordevind


Check out this episode!

Wednesday, July 27, 2022

Keep It Simple, Stupid!


Don't allow any aspect of your novel to get too complicated, otherwise you will lose interest from your readers!

“Brigitte,” Installment One of Tales from Vlaydor, is available on ebook and audiobook. Follow the link to find them on Amazon:

https://www.amazon.com/s?k=brigitte+devin+davis&ref=nb_sb_noss_1

Become a patron today! Visit patreon.com/writinginthetinyhouse

Get ahold of Krissy Barton with Little Syllables editing services. She does free sample edits to see if you and she would be the right fit. www.littlesyllables.com

Instagram: @authordevindavis

Twitter: @authordevind


Check out this episode!

Wednesday, July 20, 2022

Don't Interrupt Your Pass!


When we're going through our manuscript, whether we are doing edits or full-on drafting, finishing each pass and taking notes keeps us organized and gives us a sense of progress.

“Brigitte,” Installment One of Tales from Vlaydor, is available on ebook and audiobook. Follow the link to find them on Amazon:

https://www.amazon.com/s?k=brigitte+devin+davis&ref=nb_sb_noss_1

Become a patron today! Visit patreon.com/writinginthetinyhouse

Get ahold of Krissy Barton with Little Syllables editing services. She does free sample edits to see if you and she would be the right fit. www.littlesyllables.com

Instagram: @authordevindavis

Twitter: @authordevind

The following is an imperfect transcript of this episode. A complete transcript can be found on the show’s webpage.

[00:00:00] Hello, and welcome to the show Writing in the Tiny House. I am on a mission to abolish the idea of the tormented artist by sharing what I know about writing, publishing, and just life in general, so that you can have the tools to produce the content that you have been eager to write. If you have this steps in place, you can produce a short story in as few as three months or a novel in as few as 18 months.

And hopefully through the ideas in this podcast, you will have the wisdom to adjust that timeline if you need to. I am Devin Davis, the guy who lives and writes in a tiny house in Northern Utah. Thank you for tuning in and please enjoy today's episode of Writing in the Tiny House.

Hello, [00:01:00] and welcome to the show. Welcome to Writing in the Tiny House. I am Devin Davis and here we are guys. We are over the hump of July. We have made it. We are more than halfway through the summer, I guess, or at least the summer break. And can you even believe that? So I have been diligently working on this pass of edits with the current work in progress, TIS that I have been working on for a while. And now that it has picked up and it has become kind of a bigger thing. It is definitely gaining momentum in my day to day. And that is exciting. It is so good to be excited for a work in progress again. And I think I have some idea as to why, or some idea as to how I got here to this point of being excited.

But first let's talk about TIS a little bit. Because of its length. So [00:02:00] TIS is a respectable novella. TIS is going to be between 25,000 and 30,000 words, which as a printed thing is about a hundred pages give or take ish, you know, and I believe, I believe that due to its length, I should be able to release it as a printed work in addition to an ebook. So with Brigitte being at 9,000 words, that is only about 50 pages of text, actually a little bit less than that. And because of that, it wasn't really plausible or really worth the time and effort or the energy to worry about finding a way to get it into a printed form. I mean, with a short story like that, Brigitte can always be part of a collection of short stories later on.

I'm certainly not going to rule that out and I'm not going to say that I'm never [00:03:00] going to write a short story again, it is certainly not this work in progress with ti and it is not my next work in progress. My next work in progress is going to be a full blown novel, but. Due to length. Sometimes there is not really a plausible or a logical reason, or really just a feasible reason to provide a printed version of that story.

But with TIS due to its length, I believe that I can release it as a paperback and a hardback. Which is kind of exciting. It's going to require some additional steps and some additional formatting on my end. And I'm going to have to get in contact with the guy who designed my cover art and have him expand it into a full wrap.

So an image that does the cover, the spine and the back, which is what you need for a printed book, but at a hundred pages as it being a [00:04:00] normal novella I don't see why not. And that's cool To have it available as an ebook and a printed book.

And of course, I'm going to turn it into an audio book. All of those things just makes it more accessible, which is cool because we all enjoy books in different ways. And so if all of the ways are covered, then that makes it more accessible to customers, which is cool. So that is already really good news, but I told you that this project has picked up some steam and it is becoming a bigger part of my day today. And I am eager to get this pass of edits done. And I believe that I have a secret as to why. So, this is a good rule of thumb when you are doing your developmental edits, which I call dev edits, or even if you're drafting.

And the little trick that I want to talk about today is don't interrupt [00:05:00] your pass. That means that if you are writing your first draft, make sure that you finish your first draft without going through and futzing over the things that don't need to be worried about right now. Or if you know that there is a big plot hole in your first draft, instead of worrying about going through and coming through that and figuring out where it is.

It is 100% okay. To simply take a note of it in your notebook or wherever you choose to keep notes and then proceed forward in your draft as if you already made that change. The thing is guys, it is so easy in these projects, just because everything here is self-motivated. Nobody has hired me to write this book.

I'm writing this book just because I'm awesome. Because I want to do it and I love to do it. That [00:06:00] can also mean. that because it's just me and nobody is standing there tapping their toe in order for a, in order to get a release date or in order to get pages of the manuscript to read or whatever, because I am on my own timeline and only have to respect my own calendar.

It is really easy to just not do it. And it's really easy to slow down and to lose some steam. So if you choose. To not interrupt your pass. So with your first draft or with your first pass of developmental edits or any subsequent pass after that, what it does is it gives you a sense of completion. It gives you a sense of progress.

And so. , if you have taken notes as to where those different corrections and those different holes need to be, then you can go back [00:07:00] when you are done with your pass. and make those changes later. Sometimes we can get so hung up on a word or finding the perfect word or trying to figure out how a scene needs to play out, even though, you know, what the very next scene is going to be, or as I'm doing with developmental edits right now, sometimes patting out stuff.

So I I just discovered. That there are some little things with the relationship between my main characters that needs to be more developed. It needs to be more mature and it just needs to be more right now, they are just kind of. They, they read as colleagues where in reality, they are lovers.

They share a house, they have a very deep relationship. And so I need to work in the more mature relationship stuff that I haven't done yet. And I can. Spazz out about it [00:08:00] and freak out and go through and interrupt what I'm doing now and comb through what I've already combed through to try to find all of those little places.

Or I can carry on with my pass and simply take note that I need to further develop and pat out their relationship. So that on my next pass, I can do that. The thing is guys, we forget sometimes that we are going to be reading. These works in progress like a hundred jillion times and , and sometimes we. Get impatient.

And we forget that this process takes a lot of layers. There's a lot of building with this. and so it's easy to lose focus and it's easy to become impatient. And so in doing that in interrupting what we are doing so that we can go back and do this spazzy little thing of filling in something or worrying about a word or better developing a relationship now.

It, it can create a lot of chaos and a lot of [00:09:00] disarray in the whole process itself, especially if you are really early in the process now it is important to go through and complete whole passes of your book. And to have a notebook or a place to keep notes so that you can keep track of where all of those changes need to be.

And you can write down where they are so that when you're done with your pass, you can relocate those locations and futz about them. Then also, when it comes to things like word choices or some of these other things where. We're hitting a wall and we can't figure out what's actually happening or how the perfect wording for how things need to happen to lead to the next scene.

Sometimes when we are already past the next scene, we have already finished our past. Sometimes we are in a far better head space to problem solve than we were when we were in the middle of our pass. and [00:10:00] so then we are better equipped to improve our manuscript in those little chunks. And once those chunks.

Our improved upon, we make another pass. That's how editing goes. That is how this whole process goes. You are going to be reading your work in progress a number of times. And so it is important to read it in whole passes. So that is the news for today. Be sure to tune in next week for another episode on developmental edits and whatever.

I've decided to do a little collection of episodes on developmental edits, because that's what I'm doing now. And I am going to be compiling another little clip show on how the developmental edit kind of looks like as I'm doing it. Like I did with completing. First draft with ti. So that will be coming later probably in August.

[00:11:00] And yeah. Thank you for tuning in and be sure to tune in to next week's episode as well. Have a good day guys.


Check out this episode!

Wednesday, July 13, 2022

Input, Please!


Would you like a collection of meditations specific to the writing process to appear in upcoming podcast episodes? Let me know! Reach out on Instagram, Twitter, or Facebook.

“Brigitte,” Installment One of Tales from Vlaydor, is available on ebook and audiobook. Follow the link to find them on Amazon:

https://www.amazon.com/s?k=brigitte+devin+davis&ref=nb_sb_noss_1

Become a patron today! Visit patreon.com/writinginthetinyhouse

Get ahold of Krissy Barton with Little Syllables editing services. She does free sample edits to see if you and she would be the right fit. www.littlesyllables.com

Instagram: @authordevindavis

Twitter: @authordevind


Check out this episode!

Wednesday, July 6, 2022

On the Way to First Draft


Join me as I take you through the thought process of completing a first draft. Everything was recorded in the moment!

“Brigitte,” Installment One of Tales from Vlaydor, is available on ebook and audiobook. Follow the link to find them on Amazon:

https://www.amazon.com/s?k=brigitte+devin+davis&ref=nb_sb_noss_1

Become a patron today! Visit patreon.com/writinginthetinyhouse

Get ahold of Krissy Barton with Little Syllables editing services. She does free sample edits to see if you and she would be the right fit. www.littlesyllables.com

Instagram: @authordevindavis

Twitter: @authordevind


Check out this episode!

Wednesday, June 29, 2022

Simple Carries IMPACT! #HEARTSTOPPER


Let's take a look at the Neflix adaptation of Heartstopper, a teen romance of two boys who meet, become friends, and fall in love. This series, and the graphic novels they are pulled from, subverts tropes and cliches left and right in order to give us a straightforward and powerful message about the beauty of self-discovery.

(Also, there are at least 2 different ways to say the name Tara, and I apparently use them interchangeably. *shrug)

“Brigitte,” Installment One of Tales from Vlaydor, is available on ebook and audiobook. Follow the link to find them on Amazon:

https://www.amazon.com/s?k=brigitte+devin+davis&ref=nb_sb_noss_1

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The following is an imperfect transcript of this episode. A complete transcript can be found on the show’s webpage.

 [00:00:00] Hello, and welcome to the show Writing in the Tiny House. I am on a mission to abolish the idea of the tormented artist by sharing what I know about writing, publishing, and just life in general, so that you can have the tools to produce the content that you have been eager to write. If you have this steps in place, you can produce a short story in as few as three months or a novel in as few as 18 months.

And hopefully through the ideas in this podcast, you will have the wisdom to adjust that timeline if you need to. I am Devin Davis, the guy who lives and writes in a tiny house in Northern Utah. Thank you for tuning in and please enjoy today's episode of Writing in the Tiny House. 

[00:01:00] Hello, and welcome to today's episode of Writing in the Tiny House. My goodness, friends. It is the final episode that I have for you in this very special month of June. I don't know about you, but this Pride month has been a huge roller coaster for me. There has been a lot to do. There has been a lot to celebrate. And I wanted to carry on with this for one final episode, but I promise it applies directly to creative writing, but we are going to delve in to a Netflix series and a comic coincidentally enough that has made its way into my heart and into the hearts of millions of people around the world. we are going to be talking about heart stopper, which is a Netflix series taken from the comic of the same name, which is created by a woman named Alice Oseman. Heart stopper came to Netflix just over two months ago [00:02:00] and it has been received with incredible positivity and a huge fandom already. I don't think that the people who created heart stopper could have ever imagined the success that it would get in just two months. And it has been astounding. Some of the things that I have seen on the internet, heart stopper has encouraged so many people to share in such safe spaces, their own stories of coming out, their own stories of struggling with this or that. And it has created wonderful communities of engagement for people to share these stories.

And I personally believe that one of the most important things that we can do to heal one another is to listen to each other's stories. So today on Writing in the Tiny House, we are going to pick apart Episode three of heart stopper. And yeah, this is going to have spoilers. And so if you want to go ahead and hop on the [00:03:00] bandwagon and join the fandom of heart stopper, please do that.

And if you don't want to hear these spoilers, then go ahead and pause this episode and take four hours out of your life to watch Season One of heart stopper on Netflix, and then come back and listen to what I have to say about it. This is not a critique of the show, and this is not a review of the show.

I'm not going to pretend that everything about the show is perfect. But what we are going to do is talk about subverted tropes and subverted cliches, and the power that comes with keeping a storyline simple. I mean, sometimes a complicated storyline is absolutely what you need. If you are writing thrillers, if you are reading thrillers, then that's kind of what comes along with the genre.

However, if you have a very simple message about a situation that is oftentimes misunderstood, sometimes keeping it simple is the [00:04:00] most powerful thing to do. As I go through episode three of heart stopper, I'm going to share with you what happens in the episode and then share with you the different cliches that come about in teen romances and in some of these other LGBTQ plus related movies and other series that heart stopper avoided.

And what consequences it would have had had they played into that. So hard stopper is a very basic storyline and I love that. I mean, in the tagline for heart stopper, Alice Oseman says, boy meets boy, boys become friends, boys fall in love. And it's as simple as that. our main characters are Charlie and Nick.

Charlie is an openly gay kid and Nick is a rugby player, a popular one too. And they attend the same. [00:05:00] All boys, school of Tru um, grammar school. And they are a grade apart and due to reassignments and stuff, they're in the same form and this is how they meet each other. Through this series, we see Charlie coming to grips with self-esteem and his role of how he gets to have some of the happiness that other people can give him.

He has a history of being bullied and his coming out was not taken. Perfectly his coming out story was not easily accepted in an all boys school. On the other side of the coin or on the other half of this relationship, we have Nick who has, it seems never had a moment to explore or think about his sexual preferences or his sexual identity until he meets Charlie.

And. This first [00:06:00] season of heart stopper covers his coming to terms with his bisexuality. He comes to realize that he likes both boys and girls, and this is him coming to feel that out and to embrace what that actually is. So in seat, let's see, in episode three, The main part that I wish to talk about is the birthday party.

So this is a privileged kid's birthday party. He comes from a rich background and they rented an entire venue for him to celebrate his birthday. So the really like the ballroom, the really high ceilings. And of course, if you follow the staircases, there are empty rooms. all around. This is a very big building and they rented the whole thing to celebrate this kid's 16th birthday. During this party, it seems that everybody showed up and there are two other characters that become very, very [00:07:00] important.

I feel at this point in time. So Nick is. Brought face to face with a girl that he kissed three years ago. Her name is Tara and. While they're talking to each other. they have a private moment for a second in kind of a quiet hallway or a corridor or whatever. Tara gets the courage to confide in Nick that she is dating a girl and that she is gay and yay.

And Nick appears to be really appreciative of this and through their little conversation. We realized that Tara is very new to this scene, but she and her girlfriend Darcy are deciding to be more brave and less conservative about how they are. Dealing with their relationship. So they have decided to become a little bit more brave and to be a little bit more public with how they are showing their affection to one another.

[00:08:00] And Nick seems to admire this a few moments later, everybody is on the dance floor and the camera zooms in on Tara and Darcy. and they're dancing. They're having a great time. There are the fluorescent lights everywhere. There's the really loud, really exciting dance music. And the two of them share a kiss and it is one of the funnest.

beautiful moments in a teen romance that I have witnessed in a long time. And not only is it just a beautiful moment, but everything that comes afterward. So they are in a crowded dance floor and they have the courage to kiss each other potentially in front of all of these peers. and then immediately after the kiss, they get to celebrate by dancing.

And so they're holding each other's hands. They're doing the spinning in circles thing because the age group of this crowd is about 15 and 16 years old. And so they're [00:09:00] celebrating as teenagers would, this was a big milestone for them. And it seems that even though it is a crowded room, Nobody really saw them do it except Nick and Nick stands there and it is obvious. With the way it is portrayed. And with the way it is filmed that Nick finds this to be a very special moment and a big gift for him to explore his own feelings and a few moments later, he and Charlie go to one of the empty rooms up upstairs.

Now they're not bedrooms. This is a venue. This is like a smaller ballroom upstairs, or a smaller meeting room upstairs. And they're alone in this other room and they find the moments to very adorably share with each other that they have feelings for each other. And they, Nick and Charlie share their first kiss [00:10:00] immediately after that, because Nick is Venturing into uncharted waters. He hears some of his friends call his name. So he runs out of this smaller room to go talk to them because he's just worried. He doesn't want them barging in to see him and Charlie kissing and Charlie who is dealing with some of his past trauma and some of his distrust and his own self-esteem issues.

Cause his dad. Completely heartbroken to come pick him up and he leaves the venue and goes home. And you expect this to be probably the worst thing in the whole world, as far as the way the series goes. However, at the end of episode, three, Nick shows up in the rain and you know, that they are going to make things right.

And that is how episode three ends. So. Let's go through this again and talk about all of the tropes and cliches that heart stopper [00:11:00] chose to avoid in this. And I'm not, I'm probably not going to be able to touch on all of them, but I am going to mention some really big ones that show up in teen romance.

And I'm going to say right now that some of the things that show up with the LGBTQ representation or the one or two LGBTQ characters, oftentimes those characters are there to be funny. it seems the male character is there to be snappy and witty and sassy and.

Oftentimes, that is just kind of the role that they play, the stereotype that they get to be in with heart stopper. The entire thing is based on same gender, or there is one relationship that is transgender. And so representation is all over the place. But in this series, everything is treated as completely normal and that is already a huge.

Step that is [00:12:00] already a very big point to be made here, but let's get to episode three again, to this birthday party, it's already kind of a trope that there is a rich kid who can rent out an entire venue for his 16th birthday. I was raised in very small town USA, and I don't remember really anybody celebrating their 16th that big.

I mean, perhaps we could have rented out like, the front room of the days in or something. I mean, there were nice places in the city I grew up in, but these really big 16th birthday things, weren't something that we saw much where I was raised. I do know however that they do happen immediately. we see the absence of things that come up in a lot of teen romance or teen drama And the first thing that we get to not see is the presence of a lot of heavy drinking. So in almost I, in so many American. Teen dramas or teen romance series [00:13:00] and movies. If there is a party, it is going to be unsupervised and there's going to be buckets of underage drinking.

I know that underage drinking is a thing, but it seems that it shows up everywhere in cinema. I also know that this does not take place in America and underage drinking as far younger over there. And so that's fine. But this is actually the important thing. Nobody was drunk at the party.

there might have been something that I missed. I mean, there was one character kind of acting silly, but there wasn't drinking there wasn't drugs. There wasn't even talk of any of those things. And the reason why that's important is because these super tender moments that happen while at the party in.

Their own private ways. That first conversation between Nick and Tara, if Nick or Tara had been drunk or on something that conversation couldn't have been so intimate and so full of trust immediately, [00:14:00] it was because everybody was level headed that Tara decided to open up to Nick and tell him that she was a lesbian and was dating Darcy also.

On the dance floor when Tara and Darcy share in their kiss in front of all of their peers, the energy of that would've been entirely different. Had anybody been impaired, if that had not been a completely level headed kiss filled with love and joy and excitement and a huge moment of celebration, it wouldn't have carried the same weight and it would've not affected Nick in the same way.

Did. then later with the first kiss that Nick and Charlie share, we have all seen the movie where that first kiss or that first. moment or that first vulnerable moment, one of the people in the relationship is drunk and does something by mistake. It would've completely ruined the storyline of this season, or it would've just created a [00:15:00] problem that would've had to be resolved later and probably wouldn't have been resolved very well.

 When when Tara and Darcy were on the floor and they have their kiss, they get a moment to celebrate and a moment to be excited about it. And Nick was there to see, there is always in a team drama. It seems that there is somebody looking out to stab somebody in the back. If that kiss would've been immediately ruined.

It's possible that Nick would've not had the courage to share his affection for Charlie. If somebody would've stepped in and made fun of Tara, of Tara and Darcy for kissing on the dance floor, the entire tone of the party and the entire tone of the events that could have come later, would've changed.

And it would've been more about throwing a wrench in the plot of the story, rather than showing [00:16:00] us the beautiful innocence and the beautiful transformation of these fun relationships. It also could have discouraged Nick from being brave and exploring his feelings for Charlie one last cliche, and then we'll wrap it up.

in episode three, Nick and Charlie have their kiss. and then Nick hears his friends calling out his name and because he's scared for whatever personal reasons. It doesn't really say what perhaps he was worried of them. Worried that they would walk in and find this and he wasn't ready for that. He immediately stands up and runs out of the room to go talk with them.

And who knows how long they were actually talking So a cliche that was avoided in this situation was actually having somebody walk in or having somebody listen in or having somebody a fly on the wall.

[00:17:00] Invade the privacy and the tender moment of these two boys sharing their, a admitting their affection for one another. And then that person holding it over their head as a form of black male. We've all seen that before. We've seen people kissing people and somebody seeing that who shouldn't have seen it and then holds it over their heads as a way to get what they wanted or as a way to ruin a reputation or just ruin something a way to exact revenge or a way to. Pull negative attention away from themselves or whatever that didn't happen here.

And I believe that had it happened that way. It also would've ruined the plot of the story. That was not the point of this. That was not the PO like that stuff is not the point of heart stopper. It's not how heart stopper works. in many of the current teen romances that [00:18:00] involve gay characters. It seems that many of the gay characters are very sex forward. And so to admit your feelings for somebody automatically leads to sex in those stories, that didn't happen with heart stopper either. In fact, there's no sex in hot in heart stopper, at least not in season one.

and that's nice. So the reason why we are talking about subverting tropes and subverting cliches is because hard stopper is all about exploring and inviting the viewer or the reader. If you are reading the comics, because you remember this is a Netflix adaptation of the comics that share the same name.

It allows the viewer or the reader to witness this beautiful blooming, this beautiful blossoming of something new. when it does that, the, [00:19:00] the reader or the viewer gets to see this happen and it allows them to feel, and it allows them to experience. The honesty of these situations and the honesty of these emotions, the thing is subverting all of these tropes and all of these cliches allows the entire emotion of.

Heart stopper to be 100% honest feeling. I mean, it's a work of fiction. None of this is real, but it allows it to feel authentic and because it feels authentic, there's something to learn about it. We get to see in Charlie, a person struggling and overcoming the effects of bullying and The hard times and the hard job that it is to overcome all of that and still remain happy.

He still struggles with it throughout the thing. And he's not 100% arrived at being better. at the end of the first season, And spoiler alert. The effects of [00:20:00] bullying actually gave him an unhealthy relationship with food, which is set up throughout all of season one. All of this completely makes sense also with Nick with him just being a simple rugby player.

Popular doing his best, but not living life in a very deep way. And coming to this awakening that he is bisexual, that he likes both men and women. And right now he really likes Charlie. And so he's going to pursue a relationship with Charlie and coming to the realization. Oh my goodness.

I am different. and, oh my goodness. What does this actually mean? Keeping everything honest and authentic pulls the reader in. So a lot of times the little tricks that I mentioned that heart stopper avoided, we throw those things in as a way to build tension in the storyline so that people will continue reading.

But the thing is one of the [00:21:00] biggest things that I have learned about writing is. That people continue to read because there is a reason to continue reading. They continue reading because they want to. So regardless of if it is tension, if it is a thick plot twist, or if it is the threat of blackmail or if it is a big mistake, because someone was drunk, sometimes it is more of a simple.

Honest heartfelt thing that will keep a reader hooked and a watcher in this case, because this is a TV show too. It will keep someone hooked to continue witnessing what comes next. So with heart stopper, we are watching the gradual budding and blooming of this beautiful same sex relationship. Actually, a couple of them.

[00:22:00] Tara and Darcy's relationship was a little bit further along the path. It started out further along the path at the beginning of heart stopper, but everything ends in a more beautiful place. And we see the very beginnings of a relationship between a trans girl and a straight boy. because this is only season one and there is already a huge cannon of comics. It, it makes us immediately want to go read all the comics. We do that because we know That unless we read more, unless we see more, unless we continue with all of this, we are not going to see the roses that are inevitably going to be at the end.

So that's the thing, friends, these little tricks, the little trophy things, the little cliches. Sometimes they do succeed in building tension, but sometimes. like in the case of heart stopper, they can [00:23:00] really pull us away from a deeper, more beautiful and more simple form of storytelling.

And it can prevent that from conveying a very beautiful message. So one of the biggest takeaways That has formulated in my mind is that all of this, the same sex relationships love can look any way that it wants to. And here is a beautiful example of how, and to be gay, a person can understand that they are gay from the very get go.

there are still other people who don't know. If they're attracted to men, women, or whomever in between until they are given the chance to decide, just because in Nick's case, it's possible that he never considered it. He never considered what all of that looked like for him until.

he was met with a boy who [00:24:00] peaked his interest and they became friends first before they became boyfriends. So that is the take home for today. If you are a writer or a creator of some form of content, where you have a lesson about a topic that is largely misunderstood.

And it can be about anything Sometimes keeping the story simple. Is a way to keep it powerful so that's all I have for you today. I hope that you have had a wonderful pride month. This has. One of the biggest months, probably in my adult life that I will remember. And I love the reason we celebrate pride. I am going to be celebrating pride in a very big way from here on out. So thank you for being with me all throughout this.

Thing. It has been a huge journey and I appreciate the support of each and every single one of my listeners. And [00:25:00] so go out and have fun writing. We will see you next week. On another episode of writing in the tiny house.

 And that is it for today. Just a reminder that "Brigitte," Installment One of Tales from Vlaydor is available on Amazon as an ebook and on Audible and Apple Books as an audio book. And I provide advanced reader copies of these short stories as I release them to my patrons. So become a patron today by visiting patreon.com/writinginthetinyhouse to support both my writing and this podcast. And lastly, be sure to follow me on social media. My Instagram is @authordevindavis and my Twitter handle is@authordevind. Thank you so much for spending some time with me today and have fun writing. We will see you next time.[00:26:00] 


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